Dreams of Gods and Monsters by Laini Taylor
Back to this one after my ALL THE BRIGHT PLACES binge.
Mmmmm love.
"Don’t think. It’s not about thinking. You think when you edit. When you create, say yes, yes to everything.” - Sandra Cisneros
My novel is in present tense, so I went on an "is cluster" hunt instead. Here are five examples I found in my writing, and how I fixed them (partly with the help of this article by Thomas King as well)."The biggest red flag to me as an editor is an infestation of the word “was.” This is a major indicator of weak writing and passive voice. If a writer does this on page one? Fairly safe to assume the trend will continue.Do a Was Hunt. See too many of those buggers together? Time to kill.It was barely dawn and Lulu was sitting on the couch. She was waiting for her father who was already hours late. This was unusual for him. He was always punctual. A crack that was deafening made her scream and moments later the door was kicked in by the police who barked orders for her to get down on the floor.Instead….Predawn light spilled into the room where Lulu sat, waiting for her father to be home. He was never late. Ever. A deafening crack made her scream. Police kicked in the door and ordered her to the floor."
"look at what’s in the sentence’s predicate. If it’s an adjective, see if you can change it into a verb. So for example, the infamous, “She was sad.” Change this into: “[Something] saddened her.” You may need to make up the “something,” or combine this clause with another sentence in order to make it work."
"In general, focus on the action. Start by asking yourself what action the sentence is conveying. That determines what verb dominates the sentence. Then you can arrange the other concepts of the sentence around that verb, usually in a “Something action [something else]” form."